Friday, 28 February 2014

86th Academy Awards Final Predictions

BEST PICTURE

12 Years A Slave


BEST DIRECTOR

Alfonso Cuaron - Gravity


BEST ACTOR

Matthew McConaughey - Dallas Buyers Club


BEST ACTRESS

Cate Blanchett - Blue Jasmine


BEST SUPPORTING ACTOR

Jared Leto - Dallas Buyers Club


BEST SUPPORTING ACTRESS

Lupita Nyong'o - 12 Years A Slave


BEST ANIMATED FEATURE

Frozen


BEST FOREIGN LANGUAGE FILM

The Great Beauty (Italy)



BEST DOCUMENTARY FEATURE

20 Feet from Stardom



BEST CINEMATOGRAPHY

Gravity

BEST ADAPTED SCREENPLAY

12 Years A Slave

BEST ORIGINAL SCREENPLAY

American Hustle

BEST FILM EDITING

Captain Phillips

BEST PRODUCTION DESIGN

The Great Gatsby

BEST COSTUME DESIGN

American Hustle

BEST MAKEUP & HAIRSTYLING

Dallas Buyers Club

BEST ORIGINAL SCORE

Gravity

BEST ORIGINAL SONG

"Let It Go" - Frozen

BEST SOUND EDITING

Gravity

BEST SOUND MIXING

Gravity

BEST VISUAL EFFECTS

Gravity

BEST ANIMATED SHORT

Get a Horse

BEST DOCUMENTARY SHORT

The Lady in Number 6: Music Saved My Life

BEST LIVE ACTION SHORT

The Voorman Problem

Thursday, 27 February 2014

86th Academy Awards Best Actor Analysis

Best Actor has always been a cool part at the Oscars when legendary actors such as Humphrey Bogart, Jack Nicholson, Spencer Tracy, Clark Gable, Marlon Brando and many more made their way to the throne of the highest honours. I have always had a close look at this category and trying to study the acting and reasons for previous nominations in Oscar history. Here is what I think for 86th Academy Awards for Best Actor......



Best Actor winning criteria

If you were an actor striving to win an Oscar, you should note the following pattern. Either you have to play a historical and famous character or a role that has a physical or mental disability and difficulty. These features strongly guarantee a promising win provided that the film has a good story as well as strong reception from critics and the audience. 

Previous winners who played a historical, famous character:
  • Lincoln (2012) – Daniel Day-Lewis as Abraham Lincoln 
  • The King’s Speech (2010) – Colin Firth as King George VI
  • Milk (2008) – Sean Penn as Harvey Milk
  • The Last King of Scotland (2006) – Forest Whitaker as Idi Amin
  • Capote (2005) – Phillip Seymour Hoffman as Truman Capote
  •  Ray (2004) – Jamie Foxx as Ray Charles

      Previous winners with a physical disability and relevant difficulties:

  • My Left Foot (1989) - Daniel Day-Lewis 
  • Scent of A Woman (1991) - Al Pacino
  • Ray (2004) - Jamie Foxx

The 86th nominees

Matthew McConaughey - Dallas Buyers Club
Leonardo diCaprio - The Wolf of Wall Street
Bruce Dern - Nebraska
Chiwetel Ejiofor - 12 Years A Slave
Christian Bale - American Hustle


Who will win?

Matthew McConaughey - Dallas Buyers Club



Before going into the debates for each nominee, here are some interesting features we should take on to compare against previous wins. 

Physical disability
Matthew's transformational role in Dallas Buyers Club is physically challenging and his character's struggle against AIDS and the respective measures strike a remarkable thought on the minds of audience and voters. It is similar to what you see from Daniel Day-Lewis in My Left Foot or Colin Firth in The King's Speech. They all have a physical barrier to break through in order to face the various aspects of reality.

Slavery
12 Years A Slave depicts the unpleasant experience of Solomon Northup being abducted and sold for slavery. This character rings a bell when Russell Crowe was betrayed by the kingdom in Gladiator and eventually fought back to gain his freedom. 

A deeper look into this year 

NO historical characters

Regardless of how heartfelt the performance, there is a tendency to lose out to the historical characters, except in 2009, Jeff Bridges (Crazy Heart) winning over Morgan Freeman (Invictus) as Nelson Mandela and in 2001, Denzel Washington (Training Day) over Will Smith (Ali) as Muhammad Ali.

None of the nominees this year is playing a historical and significantly well-known character, so we can pick out the years when there were no nominees of these features.

2011
Jean Dujardin – The Artist (**Winner**)
Demian Bichir – A Better Life
George Clooney – The Descendants
Gary Oldman – Tinkor Tailor Soldier Spy
Brad Pitt – Moneyball

2007
Daniel Day Lewis – There Will Be Blood (**Winner**)
George Clooney – Michael Clayton
Johnny Depp – Sweeney Todd
Tommy Lee Jones – In the Valley of Elah
Viggo Mortensen – Eastern Promises

2003
Sean Penn – Mystic River (**Winner**)
Johnny Depp – Pirates of the Caribbean
Ben Kingsley – House of Sand and Fog
Jude Law – Cold Mountain
Bill Murray – Lost in Translation

2002
Adrien Brody – The Pianist (**Winner**)
Nicolas Cage – Adaptation.
Michael Caine – The Quiet American
Daniel Day Lewis – Gangs of New York
Jack Nicholson – About Schmidt

A few more years such as 1997 (Jack Nicholson – As Good As It Gets) and 1998 (Roberto Benigni – Life is Beautiful) can be compared as well. Therefore with these quoted years, special features can be noted among these winners. Their characters hint the sad reality of life and even the cost of one’s passion and death to pay the price

In such view, Chiwetel Ejiofor and Matthew McConaughey would stand a chance.


Slave factor – Support for Chiwetel Ejiofor

Movies on slavery are rare and seldom does the lead actor stand out, for example Jamie Foxx in Django Unchained. However when the lead actor is doing his job in being the memorable slave that voters would vote for, one cannot discard the power of such strong performance, such as Russell Crowe in Gladiator.




Best Picture unusually comes in hand with Best Actor – Against Chiwetel Ejiofor

There are only two recent films that won Best Picture as well as Best Actor: The Artist and The King’s Speech. Considering how recent these winners were, Chiwetel’s chance of taking away the Best Actor is quite high if 12 Years A Slave were to win Best Picture. However, in most years, Best Picture does not go hand in hand with a Best Actor win. Chiwetel appeared in several films but many did not know of him until 12 Years A Slave. Speaking of Best Picture, how often does a nominee depicting the lives of the coloured would take away the Best Picture? None, and historically there are only losers like The Help, Ray and The Colour Purple. However, on the bright side, Gladiator, a film on a slave’s struggle to win his freedom, won Best Picture and Best Actor. Moreover, 12 Years A Slave has recently won at Golden Globes and BAFTA for Best Drama. Therefore, Chiwetel still stands a mere chance to produce a surprising win over Matthew McConaughey.

I personally think the Academy strives to look at something different in recent years to crown films as Best Picture, such as American Hustle or Gravity, so history will not repeat itself to honour the struggle of another slave when it is a ‘coloured’ picture. My sympathies for Chiwetel, but I will not be surprised if he does not win.




The Black Factor - Against Chiwetel Ejiofor

In 1963, Sidney Poitier was the first Black actor to win an Oscar Best Actor. Then it was until 2001 when Denzel Washington became the second Black actor to win this category. If you look at the coloured actors winning a Best Actor in recent years:

2001 Denzel Washington – Training Day
2004 Jamie Foxx – Ray
2006 Forest Whitaker – The Last King of Scotland

Not all, but some share common features. Although Ray Charles and Idi Amin are historical characters, Training Day and The Last King of Scotland were not nominated for a Best Picture which showed the importance of an individual performance in standing out from the crowd to be crowned Best Actor. Denzel was previously nominated in acting categories before his final win, but Jamie and Forest were not at all.

Focusing back on Chiwetel Ejiofor, 12 Years A Slave is very likely to be Best Picture of the year since it is based on a true story, however the lead role is not some historical and famous character that we all know. Therefore, the focus shifts to characters based on real life events that are not commonly known and was nominated for Best Picture. As you have seen in recent years, the answer is ‘none’. Will Smith in Pursuit of Happyness and Don Cheadle in Hotel Rwanda did not earn the Best Actor title eventually. So what is there remaining to support Chiwetel, literally none, because even Denzel’s Training Day playing a purely fictional character was not nominated for Best Picture, but he was absolutely a bad ass cop and he already earned several nominations in the past. The evil factor does increase one’s possibility to win such as Forest Whitaker as Idi Amin, the notorious dictator. Thus, Chiwetel acting as a ‘nobody’ trying to live the cruelty of slavery is unlikely to win this category when not everyone knows well of the real story and its characters.


The wisdom in dealing with obstacles – For Matthew McConaughey

I can see the strong love for this film and its actors due to the social message behind and the uniqueness of the characters. Even if Jared Leto as a supportive role to Matthew does not win the Best Supporting Actor, his presence has aid the determination of Matthew’s character in the film and this has demonstrated the actor’s ability in reverting a situation when the plot dramatises on a real life scenario with many obstacles. In favour of these fight-backs, the Academy would honour these films in the acting categories, as Dallas Buyers Club is unlikely to be the Best Picture. There could be a chance that Matthew and Jared would both win Best Actor and Best Supporting Actor respectively.

Matthew has appeared in lots of films and when he was the lead, never was he praised and often criticized instead for being too pretentious for the sake of acting to win. However, when the time comes, the Academy would cherish the favourable ‘come back’ performances, for example Sandra Bullock and Jeff Bridges. Based on the synopsis of Dallas Buyers Club, Matthew has picked the right performance for the right win and the film itself has a modern social value to the audience as well. In comparison with outdated discussion and value on slavery, which was abandoned in most countries, Matthew would overtake Chiwetel because of the recent debates on medical supplies that people would care about more. Matthew has worked himself hard enough to deliver good performances even in Mud, and the circle of actors could see his efforts.


Other contenders



Bruce Dern in Nebraska is a promising performance, but Alexander Payne’s films only win screenplays and never an award in the acting categories. Considering how likely George Clooney was in the Descendants, he still lost out to Jean Dujardin in The Artist where the Best Picture factor comes into play.




Leonardo diCaprio in The Wolf of Wall Street is a daring performance with the reflection of human insanity and wildness. But this is really not the kind of performance to win an Oscar, considering there are other strong contenders this year. From the voters' point of view, it would be poor choice if they have chosen Leo to win when the look back in a few years' time. The audience have been sympathising about Leo's overdue Oscar and that his performance as Jordan Belfort is the winning one. I really cannot see these sort of roles could win the hearts of voters as much as Matthew McConaughey's role with AIDS and fight-backs. To really win an Oscar, Leo should do what Matthew has done in a transformational character which takes away the image of Hollywood pretty boys. Maybe next time, Leo.



Christian Bale was a rather surprising nomination when there should be other better options. To be frank, he is not bad in American Hustle and his nomination is just there to make the film look good even when it may not win anything eventually. Considering he has won Best Supporting Actor recently for The Fighter, another David O. Russell success, Christian is just pleased to be nominated along with other strong contenders this year. His belly, long hair and shades made the character remarkable and memorable, displaying the extravagance of the 70s and in particular a con artist. Good to see these innovative roles to be nominated after all.

Monday, 24 February 2014

What categories to bet on at the Oscars?

Looking back at the surprising win for Christoph Waltz for Django Unchained as Best Supporting Actor and the tie for Skyfall and Zero Dark Thirty in Sound Editing, we can see that the Academy would give us surprises once in a while. Will any wins against the odds happen at the 86th Academy Awards this year? They are possible and placing wise bets on the following categories give the opportunity and excitement to test whether you and the majority of Academy voters think alike.

This article is solely for reference and filmAEO bears no responsibility for any monetary losses. filmAEO advises you gamble wisely and responsibly.

Few weeks ago, I placed a sensible bet on Matthew McConaughey for Dallas Buyers Club to win in Best Actor before the announcement of nominations. The rate offered was appealing and at that moment I felt that he would win all the major awards, except BAFTA, as he was not nominated. Within these few weeks, my prediction was correct and every expert puts him confidently now at their first place to win. However, betting agencies are offering bets on him that have nearly no high returns at all.

To check on which agency offers the best rate for a certain category, please visit:
http://www.oddschecker.com/awards/oscars/



The categories to bet on...


Best Picture


The Lead
  • 12 Years A Slave
The odds / Recommended bets
  • Gravity
  • American Hustle

Best Supporting Actor


The Lead
  • Jared Leto - Dallas Buyers Club
The odds / Recommended bets
  • Michael Fassbender - 12 Years A Slave

Best Supporting Actress


The Lead
  • Lupita Nyong'o - 12 Years A Slave
The odds / Recommended bets
  • Jennifer Lawerence - American Hustle

Best Adapted Screenplay


The Lead
  • 12 Years A Slave
The odds / Recommended bets
  • Philomena

Best Film Editing


The Lead
  • Gravity
The odds / Recommended bets
  • 12 Years A Slave
  • Captain Phillips
Reasons:
  1. If 12 Years A Slave wins Best Picture, historical records show it is almost likely to get Best Film Editing as well.
  2. These technical categories can yield surprising wins such as The Girl With the Dragon Tattoo winning this category few years ago surprisingly. The same applies to Captain Phillips which is now seen as a 'Black Horse' of the editing race.
  3. Captain Phillips won recently at the American Cinema Editors (ACE) Eddies Awards, beating 12 Years A Slave and Gravity under the same category for dramatic feature.

Best Original Score


The Lead
  • Gravity
The odds / Recommended bets
  • Her
  • Philomena

Best Production Design


The Lead
  • The Great Gatsby
The odds / Recommended bets
  • 12 Years A Slave
  • Gravity

Oscars Surprising Wins of All Time

  • 1957 Best Picture - Around the World in Eighty Days
  • 1959 Best Director - Vincente Minnelli (Gigi)
  • 1974 Best Actor - Art Carney (Harry and Tonto)
  • 1977 Best Picture - Rocky
  • 1981 Best Picture - Ordinary People
  • 1981 Best Director - Robert Redford (Ordinary People)
  • 1987 Best Actress - Cher (Moonstruck)
  • 1990 Best Director - Kevin Costner (Dances With Wolves)
  • 1992 Best Supporting Actress - Marisa Tomei (My Cousin Vinny)
  • 1997 Best Adapted Screenplay - Sling Blade
  • 1998 Best Picture - Shakespeare in Love
  • 2000 Best Actress - Hilary Swank (Boys Don't Cry)
  • 2000 Best Supporting Actress - Marcia Gay Harden (Pollock)
  • 2001 Best Supporting Actor - Jim Broadbent (Iris)
  • 2001 Best Actress - Halle Berry (Monster's Ball)
  • 2002 Best Actor - Adrien Brody (The Pianist)
  • 2004 Best Picture - Crash
  • 2006 Best Original Song - "It's Hard Out Here for a Pimp" (Hustle & Flow)
  • 2010 Best Director - Tom Hooper (The King's Speech)
  • 2012 Best Supporting Actor - Christoph Waltz (Django Unchained)
  • 2012 Best Animated Feature - Brave


86th Academy Awards Best Actress Analysis

This category can either be very obvious, when the nominee has a sweep in other major awards, or surprising when Halle Berry won for Monster's Ball in 2001. Looking at the nominees for Best Actress, filmAEO goes for the obvious choice who already swept the major awards.

Who Will Win?


Cate Blanchett - Blue Jasmine

‘Blue Jasmine’ Trailer: Yes, Cate Blanchett and Andrew Dice Clay Are In the Same Movie

Cate Blanchett in Blue Jasmine is the straight answer. Considering her supporting win in The Aviator as the legendary actress Katherine Hepburn, she has already gained applause and firm support from the Academy. A stronger evidence for her locked win is purely because of Woody Allen, the quirky, imaginative and romantic director of our times. His films have turned their actresses into Academy Award winners, such as the prominent example of Diane Keaton winning Best Actress for Annie Hall. Both Cate and Woody are favourites of the Academy, and from time to time, they get nominated for their works as well as wins, as seen from Woody's Best Original Screenplay win for Midnight in Paris in 2010.

Cate's dramatic role as a middle-aged woman who went from total wealthy socialist New York life down to poverty when she imposes on her sister in San Francisco. Her emotional insanity reflected her demanding desires to live off wealth and riches with no worries, yet her situation after a divorce turned into literally nothing. Such reversal in life related to one's adaptability is what voters like to see and Cate truly brings out the wild and mental aspects of this conversion. However, Cate is simply beautiful and attractive which keeps her falling back into the traces of a wealthy life in the story. This displays dilemma which audience and voters feel for.

Bad news do hurt


This year's Best Actress race was dominated by Cate Blanchett in Blue Jasmine until the sex scandal of the film's director Woody Allen broke out recently, and critics now wonder if her secured win becomes vulnerable indirectly because of the rumors accusing of the director. However, it would be really unfair to Cate Blanchett if she loses eventually because this wave of scandals initiated by the Farrows has nothing to do with her personally, so as her brilliant performance. Unlike Russell Crowe accusing of the producer at the BAFTAs back in 2001 when his role in A Beautiful Mind was nominated, Cate has been staying as mutual as possible and poses no bad mouth or subjective views to any one. Therefore, the chance of getting a 2nd Oscar still holds for her.

The possible upset


If Hollywood were to judge Woody and punish his films due to his past behaviour, who will be the strongest one among the other four nominees to take over Cate's win? The most probable win would go to Amy Adams in American Hustle because she has been an overdue star at the Oscars with 4 previous nominations in Best Supporting Actress. Moreover, American Hustle must at least win something if we fail to see it winning Best Picture and Best Supporting Actress for Jennifer Lawrence.


The arguments against Amy, Sandra, Judi and Meryl


Amy Adams - American Hustle
Although remarkably nominated for 4 times previously, this is her first time to compete in Best Actress race. Also, to really give American Hustle a deserving win on something, either it will be Best Original Screenplay or Best Supporting Actress. She has still got some amazing years ahead, so her ultimate win will happen, but not this year.

Sandra Bullock - Gravity
Her solo performance is the heart of Gravity which pulls our attention to the fluctuating emotions of her character. However, solo performances do not have huge coherence to most voters, as seen from James Franco in 127 Hours and evidently Robert Redford's failed attempt to be nominated in All is Lost this year for Best Actor. Moreover, she has won before for The Blind Side setting an example of a successful and well-respected comeback performance in her career. After all, sci-fi performances hardly win anything if you date back to 1986 when Sigourney Weaver was nominated for Best Actress in Aliens without winning.

Judi Dench - Philomena
This Dame has won before for Best Supporting Actress and her performance in Philomena was brilliant. However, the film itself is the type that receives nominations yet literally no wins, even Harvey Weinstein would pull strings behind the curtains. Also, as a British star, she lost the BAFTA Best Actress to Cate Blanchett. 

Meryl Streep - August: Osage County
This record-breaking actress for most nominations in Best Actress still keeps the momentum going at the Oscars. With two previous wins for Best Actress already, even herself cannot believe her performance would earn a nomination over Emma Thompson's Saving Mr. Banks. However, filmAEO believed in Meryl with a spot-on nomination once again. Yet, she is just there as a feel-good factor for Oscar voters instead of being accused and criticised when Meryl is not on the list. It was a compelling performance, but not the kind to impress voters and put a vote for, even knowing she is Meryl Streep.

Wednesday, 12 February 2014

Valentine's Playlist: Top 20 Romantic films of All Time

Treating your loved ones to the cinema can be an expensive option when the night usually comes with a romantic dinner at restaurants that preset their special Valentine's set menu. What can be a better option when you and your lover can just stay home and do a romantic all-nighter on the following 20 recommended films meanwhile enjoying a nice bottle of wine.


filmAEO proudly lists out these films so that your love can romance in the thin air just like in the movies, and they are ranked in no particular order or preference:

1. As Good As It Gets (1997)
2. Sleepless in Seattle (1993)
3. When Harry Met Sally (1989)
4. Casablanca (1942)
5. West Side Story (1961)
6. Titanic (1997)
7. Lost In Translation (2003)
8. Beauty and the Beast (1991)
9. Eternal Sunshine of the Spotless Mind (2004)
10. Annie Hall (1977)
11. In the Mood for Love (2000)
12. Roman Holiday (1953)
13. Before Sunrise (1995) / Before Sunset (2004) / Before Midnight (2013)
14. The Philadelphia Story (1940)
15. The Artist (2011)
16. It Happened One Night (1934)
17. Moonstruck (1987)
18. Ghost (1990)
19. From Here To Eternity (1953)
20. Silver Linings Playbook (2012)

Wish you all a romantic day.

Why these 20? Here are some reasons and comments...

As Good As It Gets
  • Powerful performances from Jack Nicholson and Helen Hunt
  • An unusual story of love and care when Helen plays the caring single waitress, meanwhile Jack plays an author with OCD and other intolerable behaviour
  • Won Best Actor and Best Actress at 1997 Oscars
Sleepless in Seattle
  • Well-written screenplay that builds up the curiosity as to what will happen to the sleepless Tom Hanks
  • Throughout the story, characters played by Tom Hanks and Meg Ryan have not met each other at all until the end
  • Memorable last scene
  • With reference to another movie classic by Cary Grant and Deborah Kerr in An Affair to Remember (1957)
Casablanca
  • Humphrey Bogart's portrayal as Rick defines the very gentlemen, especially in times of war and hardship
  • Memorable quotes such as "Play it again, Sam!"
  • Won Best Picture, Best Director and Best Screenplay at 1944 Oscars
West Side Story
  • Modern version of Romeo and Juliet, but with great singing and compelling dance performances
  • Natalie Wood was once the babe of Hollywood and legendary star of all time
  • Won 10 Oscars including Best Picture in 1962
Lost In Translation
  • Bill Murray delivered a performance of his life time with the company of Scarlett Johansson
  • Two lonely souls lingering in the streets of Tokyo, a foreign land where the lack of translation allows a closer connection and care within those who understand one another
  • Sofia Coppola's sensational direction for the film turned it into an instant love classic
Beauty and the Beast
  • The only animated film ever to be nominated for Oscar Best Picture before the 10 Best Picture rule revived few years ago
  • A romantic story of the redemption of an ugly soul with the help of love and beauty 
Annie Hall
  • The master of romance, Woody Allen, brings you into what true love is when it deeply connects with human thoughts and behaviour
  • Crowded with hilarious and humorous dialogue, Diane Keaton won her Oscar Best Actress in this film, while it is the only Best Actor nomination ever for Woody Allen
  • Best Picture of 1977, as well as Best Director for Woody Allen
In the Mood for Love
  • A Hong Kong love story set in 1962 
  • Beautiful cinematography and costumes, with a unique original score
The Artist
  • Action speaks louder than words, this silent black and white romantic comedy depicts the golden ages of silent films, but later overtaken by sound and eventually the collapse of silent stars
  • Passionate performance from Jean Dujardin earned him an Oscar for Best Actor
  • Best Picture of 2011, as well as Best Director and notably Best Original Score which played a huge part to this silent film
Silver Linings Playbook
  • 4 words to summarise: Jennifer Lawrence is amazing (Best Actress of 2012)
  • Speaks of a unique love story between two lovers, one has bipolar disorder while the other has her own problems
  • Beautifully scripted conversations among its characters and gives a typical yet memorable happy ending

Tuesday, 4 February 2014

Another tragic loss for Hollywood - A tribute to Philip Seymour Hoffman

In nearly six years ago, when the circle of Hollywood peers knew of Heath Ledger's death, it was tragic news to all to see this emerging screen legend in Brokeback Mountain to leave so sudden. Although his posthumous Oscar win for The Dark Knight as the Joker really made an everlasting impression for moviegoers to remember him, every one feels sorry for his daughter Matilda to witness such tragedy at only an age of around 3, especially when Heath had a divorce with Michelle Williams. Amidst the Awards season when we honour performances of 2013, it is heartbreaking to see another tragic loss of not only a talented actor, but also one who has always been around with the industry and the audience. He was a father to three with a healthy marriage life, a talented actor in mainly Hollywood as well as in the TV industry and theatre productions, an Oscar Best Actor winner for Capote in 2005 along with other nominations for Best Supporting Actor in his notable works, and he is the one and only one, Philip Seymour Hoffman.


My first memory of Philip in films was rather vague, but the very impression he has created on me is his sneaky interpretation of challenging roles from Truman Capote in Capote for which he won his Oscar Best Actor to Lancaster Dodd in The Master. Whenever he was on screen, you would feel that he was up to something hideous or villainous, yet sometimes he was just playing the surprising opposite. As I had never read the Hunger Games series before, I nearly thought he was evil in the second film The Hunger Games: Catching Fire until the very end. This misjudgement from me clearly showed how brilliant he was in acting and tricking the audience, yet constantly amazed us in the huge variety of roles he did.

His first debut in a major motion picture was Scent of A Woman in 1992 in which Al Pacino won his Oscar Best Actor. His role in this film was rather rebellious and naive, but helped him made a progress in his film career. Director Paul Thomas Anderson has hired him to make brief appearances in Boogie Nights, Magnolia and Punch-Drunk Love. As his style and impression on Hollywood built, he moved on to the difficult roles like playing Truman Capote in a plot where Capote was researching on his famous book In Cold Blood along with the company of Harper Lee who wrote To Kill A Mockingbird played by Catherine Keener. Then he displayed his evil side in Mission Impossible III and until recent years along his major roles in The Master, Charlie Wilson's War, The Savages and Synecdoche, New York, he was still taking up small roles with brief appearances in Moneyball and The Ides of March. These performances were all wonderful and memorable no matter they were big roles or not, all because of Philip's capability and vision as an actor.


Unlike The Dark Knight where Joker's whereabouts was left unknown, it would be hard to find someone else to substitute Philip's role as Plutarch Heavensbee in the upcoming The Hunger Games: Mockingjay. I wish I could have met Philip in person to see how he viewed his acting career, and I think he has demonstrated enough in whatever small way. He was 46 and he will be remembered. Rest in peace, Philip.




Sunday, 2 February 2014

86th Academy Awards Best Director Analysis

What makes a Best Director?


We have already witnessed great directors like Steven Spielberg, Ang Lee, Martin Scorsese, Roman Polanski and even more winning their well-deserved Oscars. They all share one thing in common which is their capacity and vision to deliver unusual stories and views in life. Through their organisation in the acting, screenplay, production, costumes and technical aspects of films, they are pioneers in impressing the audience and convincing the voters that they have led their film cast and crew outstandingly. Moreover, they earn respect in return from the cast and crew. This is quite evident when you see this year's nominee David O. Russell being regarded as the "actors' director", with four of his actors nominated for the acting categories at the Oscars this year: Christian Bale, Amy Adams, Jennifer Lawrence and Bradley Cooper in American Hustle.

However, when you see recent technical breakthroughs in filmmaking, such as what you saw in Life of Pi and Gravity, you start to wonder if the perception of outstanding achievement in direction starts to shift from acting to the technical side. It is debatable if you look at recent Best Director winners, right before Ang Lee's win for Life of Pi in 2012 and very likely a win for Alfonso Cuaron for Gravity this year, which would strengthen the importance of innovative technical achievements.

Listing the winners before 2012, we have:

2011 - Michel Hazanavicius (The Artist)
2010 - Tom Hooper (The King's Speech)
2009 - Kathryn Bigelow (The Hurt Locker) [First female director ever to win an Oscar.]
2008 - Danny Boyle (Slumdog Millionaire)
2007 - Joel and Ethan Coen (No Country for Old Men)
2006 - Martin Scorsese (The Departed)

They all share one distinctive feature, which is their story or focus of the screenplay has brought something new and different to the audience without any excessive use of visual effects or technology. Their direction were more interactive with actors which are the key to grasp the emotions of audience, therefore we witnessed Jean Dujardin and Colin Firth winning Best Actor in The Artist and The King's Speech respectively. Without the leadership of a director, actors will not understand the meaning and vision behind the screenplay, and the other crew in Sound, Costumes or Production Design will misinterpret the story. This is why the audience can clearly differentiate on whether some films would contradict itself because of the disorganisation of elements presented on screen. A good director is not only a good leader, but also one who has compassion for every crew unit, or else the ultimate goal will not be shared and the audience will not be able to see the 'meaning' behind the film.

However, times have changed and when exciting things emerge, critics and audience will just recognise and appreciate the growing power of technology to be combined with acting in order to put forward a convincing achievement in directing. Thus, Gravity is clearly the leading example when it has nominations in the technical titles with Sandra Bullock nominated for Best Actress.

After all, how a director delivers a film is down to his/her own judgment, and how people view their works is a totally different manner, especially when the Academy voters in the Director branch tend to be unpredictable. We would all have our own 'Best Director' choice in mind every year that would vary with the 5 final nominees.

Academy Members for Best Director category

Director branch has only 377 members, and to get a nomination, you need 63 votes statistically. It is a rather small circle of members within the massive film industry. I personally have no clue on the demographics of these 377 members, but some interesting patterns can be observed from past nominations, such as their support for foreign directors like Michael Haneke for Amour or Fernando Meirelles for City of God, and their appraisal for young directors like Benh Zeitlin for Beasts of the Southern Wild. They may also be racially biased when you only see four women in history have ever been nominated in this category, with Kathryn Bigelow being the first and only female winner so far. Moreover, they strongly support great directors with big names such as Steven Spielberg, Martin Scorsese, Woody Allen or Clint Eastwood, and they get nominated every now and then.

The biggest disappointments from them were:

  1. Ben Affleck (Argo)
  2. Christopher Nolan (Inception)
  3. Steven Spielberg (Jaws)

and many more.... The above directors were snubbed mainly because of how such a small group can produce influential comments among its members and therefore coming up with surprising nods due to strong support from a certain group of passionate members for a particular director. Thus, these snubbed directors got voted down instead.

The branch for Best Director is really mysterious, and yet it gives a momentum of surprises.

Who will win?

Answer: Alfonso Cuaron - Gravity

Dates of other major awards have rather gone early this year. Based on what we witnessed at Golden Globes, Directors Guild Awards (DGA) and Critics' Choice, it is very likely that Alfonso Cuaron will receive his first Oscar on directing due to the strong support of voters in these awards. Moreover, he is nominated for Best Film Editing and Best Picture in Gravity as well, and such impression would build an add-on effect on voters' final decisions. Well, not to mention his previous recognitions in the writing categories when he was nominated for Children of Men and Y tu mama tambien. Finally, his technical achievements in filmmaking have said enough.


Why not the other 4?

1. Steve McQueen - 12 Years A Slave



12 Years A Slave is considered as the strongest frontrunner to win Best Picture this year, and it is valid to say Steve McQueen has a chance to win Best Director as well if based on previous Best Director winners from 2006 to 2011when their films won Best Picture. However, the strongest reason to go against Steve is that the story of 12 Years A Slave is heavily emotional itself which would overrule the our appreciation towards the director's inputs. What happened in the story was too heart-gripping through the actors' sensational performances. That is why the director of Dallas Buyers Club did not even get nominated this year because of strong performances from Matthew McConaughey and Jared Leto who would potentially win Best Actor and Best Supporting Actor respectively this year. The nomination for Steve, which differentiates from Dallas Buyers Club, goes down to his vision and revisit to the issues of slavery. More importantly, his strong support from his producer, Brad Pitt. Yet, a win for Steve is not the time when he can still contribute more in the future, especially when he is an emerging great British director. Sometimes, films have to possess the feel-good factor in order to gain wins, just like Tom Hooper for The King's Speech when the story itself is more pleasant to watch than 12 Years A Slave.

2. David O. Russell - American Hustle



On his third nomination for Best Director after The Fighter and Silver Linings Playbook in less than four years, every actor in the world will just be the happiest man to sign on a contract for whatever his next film is. However, David has been displaying the 'classy' director style in using the cast he has faith in over and over again, such as Jennifer Lawrence, Bradley Cooper, Christian Bale, Amy Adams and Robert de Niro. He is simply great to be honoured, considering his two previous losses in the writing categories. Therefore his main drawback really lies in the story of American Hustle which tells of the collaboration of con-artists with the FBI in the 1970s. Although the story is creative and holds originality, its underlying meaning hardly affects one's thoughts immediately. It just feels good and entertaining to watch American Hustle as it is smoothly arranged with a mixture of humour and seriousness, particularly seen from its characters' behaviours and outlooks. Yet, David's style in scriptwriting has not changed at all from the way his characters interact with each other. I strongly feel conversations in Silver Linings Playbook and American Hustle possess the same tone. If American Hustle is seen to win Best Picture, then David may stand a chance, but I hardly see this happening when 12 Years A Slave is socially influential and Gravity has Alfonso Cuaron to lead the sweep of technical categories.

3. Alexander Payne - Nebraska



Same as David O. Russell, he is on his third nomination as well after previous nominations for Sideways and The Descendants. Yet, he has won 2 Oscars for writing in the films mentioned. Although I have not seen Nebraska yet, Alexander's films tend to possess the feel-good factor when one can emotionally see the human factors and relationships addressed through the transformations of their characters and events. Alexander's bold decision in using black and white cinematography to tell the story is rather unique. However, he was considered the surprising nod among the five, and the reason to explain this is support from passionate voters who loved his previously nominated works. His circumstance is similar to the nomination for the Coen Brothers in True Grit, when one can obviously understand the appreciation of some Academy voters to a particular director's works. Unfortunately, these preferences will not gain most coherence from others, and thus lacks the momentum to sustain a huge amount of winning votes. Moreover, Alexander's stories share similarities where you can tell he still uses his same old formula to secure this successful nomination. This approach can be a disadvantage to win as his style is easily recognised and to a certain extent the Academy tends to favour in artists who have a change of style in their works. For example, Ang Lee and Steven Spielberg, being double-shot winners for Best Director, tell their stories in a totally different manner and perspective. From the romantic love story of two cowboys to the fantasies and wonders after a shipwreck with a boy and a tiger, Ang Lee has adopted different formulae and style to present his stories visually. Steven Spielberg's wins on Schindler's List and Saving Private Ryan are heavily focused on the cruelty of warfare, but one is emotionally touching while the other goes for a more intensive approach with scenes of gunfire and casualties. Alexander's methods in storytelling are pleasing and fun, but it will not get him the honours if he still repeats the same old style.

4. Martin Scorsese - The Wolf of Wall Street



Finally winning an Oscar for The Departed in 2006 after getting snubbed back in 1990 on Goodfellas losing to Kevin Costner for Dances With Wolves, Scorsese managed to make a shift in style from gangster movies to the recently nominated Hugo in 2011 when Hugo swept lots of the technical awards as well. He is admired by Hollywood peers and in particular his own favourite casts: Robert de Niro who starred in Taxi Driver, which was an instant classic at that time; Leonardo diCaprio who is the lead for The Wolf of Wall Street, The Aviator and Gangs of New York. All of the mentioned works directed by Scorsese have different perspectives on the stories of gangster lives with their uprises and eventual downfall. Similar to The Aviator which depicted the legendary life of Howard Hughes, The Wolf of Wall Street went for the sexually and mentally extravagant life of Jordan Belfort who is a Wall Street stock broker as well as a drug addict. Scorsese's approach this time was rather daring and unbelievable which Academy voters have loved and hated. Some even criticised Scorsese for being too outrageous and hence led to disappointment rather than appreciation. However, some voters still really like Scorsese and considering how entertaining The Wolf of Wall Street is, Scorsese managed to put weight on his nod. The main drawback for Scorsese is his win in the past for The Departed as well as the style of The Wolf of Wall Street are not preferably the winning choices at the Oscars. This applies the same to Leonardo diCaprio who threw a wonderful performance but the story itself does not create a huge affection on voters. No matter how great the audience thinks of a film, most voters would stick to their own code on praising films that have great influence and social impact.